Mary McDonnell Vault your largest fansite dedicated to actress Mary McDonnell

  • Welcome to Mary McDonnell Vault, your online resource dedicated to actress Mary McDonnell. You better know Mary for her role as Captain Sharon Raydor for the TNT crime series The Closer & Major Crimes. But she also did others like Battlestar Galactica, Independence Day, Donnie Darko, Dances with Wolves, Sneakers and many others. Site is comprehensive of a big photogallery with events, photoshoots, magazines, stills, a media archive dedicated to all fans fanarts on Mary, an extensive press library to collect all the articles and interviews on her and a video gallery section for recorded interviews, sneak peeks and trailers of her projects. We claim no rights to know her personally and it's absolutely respectful of her privacy and paparazzi-free!!!
    Summer and Smoke
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    Character: Alma Winemiller
    Directed by: David Warren
    Written by: Tennessee Williams
    Produced by: The Roundabout Theatre Company
    Other cast: Harry Hamlin, Ken Jenkins, Roberta Maxwell, Celia Weston, Chad Aaron, Emilio Del Pozo, Adam LeFevre, Lisa Leguillou, Nathalie Paulding, James Pritchett, Hayley Sparks, Todd Weeks, Elizabeth Zambetti
    Venue: Criterion Center Stage Right
    Production dates: September 05, 1996 - October 20, 1996
    Genre: Drama

    Summer and Smoke is set in Glorious Hill, Mississippi, from the "turn of the century through 1916", and centers on a highly-strung, unmarried minister's daughter, Alma Winemiller, and the spiritual/sexual romance that nearly blossoms between her and the wild, undisciplined young doctor who grew up next door, John Buchanan, Jr. She, ineffably refined, identifies with the Gothic cathedral, "reaching up to something beyond attainment"; her name, as Williams makes clear during the play, means "soul" in Spanish; whereas Buchanan, doctor and sensualist, defies her with the soulless anatomy chart.

    Reviews

    But as Mary McDonnell glides into her role as one of the playwright’s wilted magnolias, any initial flaws in David Warren’s production fade as surely as any of Williams’ Southern belles. As Alma Winemiller, the sexually repressed spinster hopelessly in love with the hedonistic son of the town doctor, McDonnell rises above her own good looks (she’s hardly the plain Geraldine Page type usually associated with the role) to offer a convincing portrait of loneliness, need and (unlike the character’s “Streetcar” counterpart) survival, however compromised. Her performance gives the Roundabout production its center, even while the play calls for a more balanced dance between the spinster and young John Buchanan Jr. (Harry Hamlin).Variety